
Hello,
Cate
Interview with
Cate Blanchett
Styled by Clare Waight Keller
Photography by Nico Bustos
Serving as a UNIQLO Global Brand Ambassador since August 2025, Cate Blanchett is known both for her acting and humanitarian work. How does she view the new role? Wearing styles from UNIQLO : C, designed by longtime friend Clare Waight Keller, Cate visited London’s National Theatre.
Q1. What’s your image of UNIQLO’s clothing?
I see it as timeless, essential clothing that is made to last; effortless clothing for everyday life. Rather than chase fashion trends, UNIQLO offers people essentials. These items have a simple beauty to be sure, especially with Clare Waight Keller as creative director, but this desirability isn’t driven by constant newness.
Q2. What’s your favourite item?
My whole family wears the socks and undies. HEATTECH has been a godsend. Comfortable, durable, breathable and most of all, warm! I often run from swimming pool to work meetings via the garden and into the evening, so I tend to opt for layers, making HEATTECH essential.
Q3. What made you become an ambassador for UNIQLO?
I’ve been impressed with UNIQLO’s efforts to make life better and their commitment to creating collections that last. Working with UNIQLO, I felt there was a genuine opportunity to meet people where they live, an opportunity to actively delve into the notion that wearing clothes and engaging with the world around you (in your life and the lives of others) are not mutually exclusive. I identify with the company's social mission and its philosophy of giving back. Being a devotee of Clare, who’s now the creative director, I’d been following the brand closely since her appointment. I’ve been blown away not only by her extremely covetable UNIQLO : C collection. She is infusing the brand’s accessible price point with her panache, influencing the company’s aesthetic as a whole.
Q4. What kind of contribution to society can a brand make?
I am freelance. That’s an actor’s lot so living with uncertainty has been baked into my adult life. We are living in monumentally uncertain times, so the role we play as individuals in this environment is vital. How we consume. What we consume. And, most importantly, what we give. I think the role that big influential companies like UNIQLO play in this landscape is more important than ever. I think consumers are still interested in style and in novelty, but they are interrogating each purchase more closely. They are not passive. They want to know how a brand delivers value in a world where less must not only be better; less must be more. UNIQLO has the potential to function as a social hub. My teenage kids and mother who’s eighty-six all wear UNIQLO. There are few brands that can relate across generations and connect people in this way.
Q5. What would you like to do through your ambassador work?
Well, the possibilities are endless. There are great initiatives already in place that I’d like to amplify, such as the Peace for All initiative, where artists and designers have made wonderful T-shirts, and clothing aid programs, like giving HEATTECH to displaced people living in extreme weather conditions. I’d love to help expand and draw even more attention to these efforts and indeed shed a light on the challenges of displacement. I also hope to encourage UNIQLO customers to take advantage of the alteration and repair services, so that they can treasure their purchases even longer. I’m a huge fan of sashiko embroidery and was very excited to see such a big brand taking steps in the direction of repair.
Q6. How do you like the clothes designed by Clare?
I think they’re fantastic! I have followed Clare’s career from knitwear to runway and now, with fascination, to her creative stewardship at UNIQLO. I am an enormous admirer of Clare. At UNIQLO, through refinement of detail and her impeccable eye, she is creating durable classics. I really value how these clothes are designed, so you can build a wardrobe across different collections. Her unique approach to color and sense for layering is superb.

Royal National Theatre
Performing arts venue in London’s South Bank. Comprising three separate venues, with some performances available via streaming. Completed in 1976, the design by Denys Lasdun is an archetype of brutalist architecture and contains public foyers, cafes and shops. The film theatres of BFI Southbank are next door.
South Bank, London SE1 9PX
Q5. What would you like to do through your ambassador work?
Well, the possibilities are endless. There are great initiatives already in place that I’d like to amplify, such as the Peace for All initiative, where artists and designers have made wonderful T-shirts, and clothing aid programs, like giving HEATTECH to displaced people living in extreme weather conditions. I’d love to help expand and draw even more attention to these efforts and indeed shed a light on the challenges of displacement. I also hope to encourage UNIQLO customers to take advantage of the alteration and repair services, so that they can treasure their purchases even longer. I’m a huge fan of sashiko embroidery and was very excited to see such a big brand taking steps in the direction of repair.
Q6. How do you like the clothes designed by Clare?
I think they’re fantastic! I have followed Clare’s career from knitwear to runway and now, with fascination, to her creative stewardship at UNIQLO. I am an enormous admirer of Clare. At UNIQLO, through refinement of detail and her impeccable eye, she is creating durable classics. I really value how these clothes are designed, so you can build a wardrobe across different collections. Her unique approach to color and sense for layering is superb.

Q7. What are your wardrobe musts?
I am eclectic. My life has so many facets that I tend to wear a wide variety of things. My wardrobe is like that English saying, “Something old, something new, something borrowed, something blue.” I wear a lot of denim and still wear a denim jacket I was given for my 16th birthday. Clothing accrues meaning over time. I am a big knitwear person, and Clare’s knitwear is superb. I like a big overcoat that I can fit a smaller jacket under, layering again.
Q8. Who do you think is the most stylish person?
One of my style icons has always been Georgia O’Keeffe. So utilitarian and practical but exquisite with her effortless nod to traditional Japanese lines in the robes and coats. Her clothes never “wore her” but were a part of her personal expression. They released her into the world and moved comfortably with her.
Q9. What are your criteria for choosing clothes?
I always ask, “Do I really need this?” I’m selective. If I know a new item won’t work with what I already own, I won’t buy it. I ask myself if an item will last, not only in terms of its durability, but its potential timelessness, and if my 16-year-old son also wants to wear it, I know it’s usually a good purchase. We have a proxy micro circular economy at home, where clothes are handed down from eldest son to next son in line, which we have always done, but now it’s mostly my sons stealing my clothing. Annoying, yes, but secretly flattering.
Q10. What makes theaters like this one special?
With so many theatres in one building, the National Theatre functions as a kind of cultural hub. What I love about this centre is how it serves as a vantage point on the world. Everyone is here: schoolkids, elderly people, people who purchased cheap tickets. Then there are people reading books in the lobby, meeting up, having a cup of coffee. Theatres hold the memories of previous performances, so even if you come alone, you won’t feel alone in this building.

Q11. Have you had any recent memorable theater experiences?
I have such vivid memories of seeing Simon McBurney’s play The Encounter. Although I was watching the stage, I was so immersed in the auditory that I ceased to see in the conventional sense. It was sight and insight on another level entirely. Most recently, it was Benedict Andrews’s production of The Cherry Orchard. The production was so intimate and free-flowing. The cast, led by Nina Hoss, was extraordinary.
Q12. How was working with director Jim Jarmusch on your latest film Father, Mother, Sister, Brother?
Working with Jim again was a homecoming. [Cate’s last role with Jim was the 2005 film Coffee & Cigarettes.] I adore him creatively and personally. He is so big hearted. All my scenes took place in one location, so Vicki [ Krieps], Charlotte [Rampling], and I hung out, eating in bed and chatting. It was a kind of heaven.
Q13. What’s the best part of being an actor?
Actively living through so many different perspectives. But really, it’s the people. Acting is a human-fueled endeavour, so I’m constantly energised and inspired by the conversation that flows between the people who make it and the people who watch it. I’ve had the chance to navigate different timeframes, different cultures, and wildly different aesthetics.
Q14. What’s the most important aspect of raising children?
That’s very difficult to answer. Unconditional love is key. Don’t make them in your own image. I felt it was important to put them in the way of experience and to instill in them a sense of self-respect and respect toward others. But as importantly, for me, to be alive to what they are telling me; alive to their evolving points of view.
Q15. What’s made you happiest recently?
My daughter drew a picture last night of a bird about to take flight. It made my heart sing.

Born in Australia. Graduated from the National Institute of Dramatic Art in Australia, launching a stage career. Cate’s wide-ranging film work includes Elizabeth (1998), the Lord of the Rings trilogy (2001-2003), Blue Jasmine (2013), Carol (2015), and Tár (2022). Since 2016, she has served as a Goodwill Ambassador for UNHCR, the UN Refugee Agency.
- Styled by Clare Waight Keller
- Photography by Nico Bustos
- Hair by Nicola Clarke
- Makeup by Mary Greenwell
- Manicure by Michelle Humprey
- Text by Miyuki Sakamoto
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